Oil on Canvas, with Mixed Reality overlay.
From the series, “Homage to Karabekian” from a quote uttered a recurring fictional character in several of Vonnegut’s novels.
Boston Cyberarts Gallery, Boston, MA in 2019
South Haven Center for the Arts, South Haven MI
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Everyman, The Ultimate Commodity v2.0
Staged in the 2007 Toronto Fringe Festival in Toronto, ON, CA The production is noted as one of the first use of mixed reality in theatrical production by the theatre journal,
For more information, read the write–up on the project:
The Long Bar
A mixed reality interactive media installation with virtual characters, designed as site specific “location-based” entertainment experience.
Presented in SIGGRAPH ASIA.
2008 SIGGRAPH Asia Synthesis Art Show
For more information, read the write–up on the project:
The Writers Notebook, Mixed Reality Installation. 2008
Exhibited during the 2008 International Symposium on Electronics Arts in Singapore. The installation used research in real-time stable marker-less tracking techniques developed at the Interaction and Entertainment Research Center.
Stable Markerless Tracking for Mixed Reality 2008
This project explores a markerless tracking technique using image analysis/synthesis approach. Its task is to minimize the relative difference in image illumination between the synthesized and captured images. Through the use of a 3D geometric model and correct illumination synthesis, it promises more robust and stable results under different scenarios.
On-the-FLy Markerless Tracking for Mixed Reality 2008
This reseach developed an "On-the-Fly" approach which allows developers to create models "on-the-fly" easily and quickly. It basically uses a pointing device which we call the 3D digitizer. It has an infra-red LED at the tip. This is an improved version of digitizing to perform more sophisticated tasks such as drawing 3D shapes, on the fly. Using an stereoscopic HMD allows the user see what he is drawing in the 3D space.
